Friday, June 26, 2015

Formal Dresses 2015 Collection for this spring

Formaldressaustralia Promotes the Very in Formal Dresses 2015 Collection for this spring
Recently Formaldressaustralia officially unveiled its newest collection in the fashion show.
The party season comes again with the warm weather. Recently Formaldressaustralia officially unveiled its newest collection – school formal dresses 2015 in the fashion show. Most of the newly presented long formal dresses in the show are in the floor length. Dresses flow on the runways because of the soft and light fabrics. The greatest characteristic of the new collection is the embellishment, especially lace floral appliques and floral embroidery. Ribbons around the waist is also a remarkable part.
The enchanting formal dresses in all colors including pastel colors and brilliant colors fully show the blossoming flowers in this spring. Alluring aqua and elegant violet are the major choices for this spring. Enthusiastic red is more suitable for passionate ladies.
“Spring is the season of blossom. Inspired by the rose garden, we decide to feature the beauty of the nature and the beauty of the lady by our gowns. Let our gowns tell you that spring comes.” the lead designer said at the end of the show, “Ladies are the great art created by God. It seems to be more attractive when their feminine curves peer from the tulle. Ravishing floral appliques, dreamy silhouettes and exquisite craft makes this formal dress 2015 collection.”
The CEO of Formaldressaustralia said, “The ultimate aim of us is always to bring the best and the latest formal dresses to our customers. Our new collection will be sold at great discounts to let more and more fashionable ladies who love us, but with limited budgets to get their dream dress have a happy shopping journey with us.”
About Formaldressaustralia
Formaldressaustralia attracts many ladies all over the world to buy dresses for special occasions because of the appealing style, stable quality and cheap price. Formaldressaustralia offers the trendy formal dresses with the blossoming floral appliques in large quantities. Formaldressaustralia is a professional and trustworthy online dress shop.

Wednesday, June 17, 2015

Formal dress code no longer gendered


Clare Coterill St. Catherine's has de-gendered their dress code for formal dinners In a first for the university, St. Catharine’s has scrapped the gendered dress code of its formal dinners, freeing trans students from the institution’s out-dated and oppressive rules governing dining dress.
“This makes Catz formals a place to express yourself in a new spectrum of ways”, said Charlie Northrop, who spearheaded the campaign, in an email to the student body. “Men can wear dresses, women can wear suits, and non-binary people are free to define the outfits that feel most appropriate to them in a formal setting.”
Charlie began transitioning this year, and as the Formal Hall officer for the MCR, she was thrilled that the Dean suggested the wording of the dress code should be changed when she emailed to ask about it.
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She says she was overwhelmed by the positive response from students on telling them the news, and feels ‘encouraged and proud’ that the students and fellows of St. Catharine’s were so enthusiastic about creating more inclusive environment for trans students.
Great care was taken to ensure the correct wording of the new dress code, says Ellie Chan, the college’s MCR President. In a typically academic fashion, there were lengthy discussions over the definition of a suit, and the fellows instigated a spirited debate over the differences between men and women’s formal shirts.
The dress code campaign was a committee-wide effort, and the combined work of the St. Catherine’s MCR and JCR is inspiring other colleges to adopt a similarly progressive ethos. Clare college has already emailed Charlie to request materials, so that they might match St. Catharine’s progressive ethos.
The revised dress code for formal halls now includes the statement: “Members and their guests must be dressed in suitably smart dress. ‘Smart dress’ is defined without reference to considerations of gender identity or expression.”

more:adoringdressau.com

Sunday, June 14, 2015

THE THIRD SERMON A Meditation on a Preaching Ministry


hogarth preacher 1
THE THIRD SERMON
A Meditation on a Preaching Ministry
14 June 2015
James Ishmael Ford
First Unitarian Church
Providence, Rhode Island
First, thank you all very much for the so many kindnesses you’ve shown Jan and me in these past months as we’ve wound our way toward this, our last Sunday together with me as your called minister. Watching my name carved into the marble plaque, posing for a formal portrait (although I am a bit confused how the photographer was able to age me and added all that weight to the image in the picture) and then, oh my, being elected minister emeritus of this venerable institution that I love so much, has been one moment engraved on my heart after another.
And all the nice things people have said. Hard to hear. Why, I even have had a psychic friend inform me that she had a vision of my final reward. She said how in a deep trance she saw the moment after my death when I approached the heavenly gates. Turns out it isn’t St Peter there, or, at least not at the gate where I appeared. Which, all things considered, was probably a good thing. Instead, the gatekeeper was Guanyin, herself, the Buddhist manifestation of compassion.
Meaning, of course, that the gate didn’t actually have a lock on it. She simply stood there and opened it wide, while inviting me in. As I walked through and into heaven a small group of angels came forward. One presented me with an off-white robe to wear. It had a lovely pattern at the sleeves and hem, embroideries of the symbols of all the religions of the world. Very Unitarian Universalist, I thought when hearing this, nice touch. Then another angel placed a halo above my head. While a third presented me with a staff, made of highly polished hardwood. My psychic friend said I looked pretty pleased with how things turned out.
And then Guanyin escorted another man through the gate. He had a large tummy, a receding hairline and a giant mole on his nose. The band of angels came forward and presented him with a golden robe with slivers of silver running through the material, the sleeves and hem embroidered in scarlet with the sun and the moon, comets and stars. His halo was so bright it was actually a little difficult to see his face in front of it. And then the staff, oh, my, it was made of some unearthly material that changed colors as you watched it, each more beautiful than the other.
My psychic friend said I hesitated and then asked Guanyin why the differences in heavenly garb? She replied that that was Mort, who had been a New York cabbie his whole life. She added, as a preacher, over the years, I’d lulled many a parishioner into a gentle nap. And my lovely garb was a reward for offering so many an hour of rest. Mort, on the other hand, well, pretty much every single person who entered his cab uttered more than one prayer to heaven before exiting, and thus his rather more spectacular reward.
The life of ministry is in fact about many things. Most of them I’d rather hold in my heart today. I feel a bit raw. But, for our few minutes together, I’d like to share a thought or two about the preaching life. And maybe extending it a little beyond claiming credit for the occasional nap I’ve provided for many here, some thoughts about to what purpose we engage this project of preaching and listening.
One of my real heroes is the novelist, theologian and Presbyterian minister Frederick Buechner. He once wrote a vignette about preaching. Perhaps you know it. I’ve cited it at least once. It begins:
So the hymn comes to a close with an unsteady amen, and the organist gestures the choir to sit down. Fresh from breakfast with his wife and children and a quick run through of the Sunday papers, the preacher climbs the steps to the pulpit with his sermon in hand. He hikes his black robe at the knee so he will not trip over it on the way up. His mouth is a little dry. He has cut himself shaving. He feels as if he has swallowed an anchor. If it weren’t for the honor of the thing, he would just as soon be somewhere else.
Among those memories I’ve collected in my heart from my years in seminary was that inaugural class of Homiletics 101, “introduction to preaching.” Most of you have heard some version of this from me before. Sorry. But it is relevant. The professor was the Reverend Dr James Chuck, a working preacher, as well as adjunct professor of homiletics at both the American Baptist Seminary of the West and the Pacific School of Religion where I was training. He was at the time also senior minister of the First Chinese Baptist Church of San Francisco, which he would go on to serve for forty years.
That moment, some twenty-six or seven years ago, he stood as our small band walked into that first class. He wore a three-piece suit with a watch chain that extended across his stomach, and which included a dangling Phi Beta Kappa key that he idly fingered. In my memory he glowered at us. I’m pretty sure he glowered at us. I looked down at my Birkenstocks and Hawaiian print shirt and felt somehow I missed the memo telling us to wear suits or dresses.
When we finally took our seats Dr Chuck launched into a brief explanation of what is what. First he offered an observation about the steady decline in both the intellectual and spiritual capacities of seminarians since his day. He then moved on to the heart of the deal, explaining how the great preacher comes to have three sermons. And, with an even deeper glower, offered how it would behoove us all to quickly figure out what our meager single sermon was. And with that we launched into a semester long exploration of the sermon within Western culture in most of its variations. He worked us hard.
It’s now been a year shy of a quarter of a century since I first preached a sermon as a Unitarian Universalist minister. Thanks to Dr Chuck and some others generous in offering me a pulpit and congregation to practice on, I’d in fact been going at it for a while before that. So, it’s been a while. And, I can say I have three sermons. Or, rather, I’ve shifted that one sermon to another, on two occasions. Probably not quite the same as Dr Chuck meant, but…
My first sermon was “Can’t we just get along?” What can I say, I was nervous at the time. Later my sermon was “Each of us is precious, and we are all woven out of one another.” In Buddhist terms, which helped inform my understanding of this mystery at ever-deeper levels, the summary goes, “Form is emptiness, emptiness is form.” I love that sermon. It speaks a deep truth, and is worth repeating and exploring in its many expressions. While you may not ever have heard me preach “Can’t we get along” very often, I believe once or twice, I believe I’ve touched on how we’re each of us precious, and all of us created out of each other, oh, I don’t know, maybe last week.
In that vignette I cited a moment ago, Frederick Buechner continues:
In the front pews the old ladies turn up their hearing aids, and a young lady slips her six-year old a Lifesaver and a Magic Marker. A college sophomore home from vacation, who is there because he was dragged there, slumps forward with his chin in his hand. The vice- president of a bank who twice this week has seriously contemplated suicide places his hymnal in the rack. A pregnant girl feels the life stir inside her. A high-school math teacher, who for twenty years has managed to keep his homosexuality a secret for the most part, even from himself, creases his order of service with his thumbnail and tucks it under his knee.
Here we are, as we are. Each of us following our own paths and circumstances in this life, but all of us in need of a word. I confess trying to find that right word has been daunting. I’ve felt the responsibility, the weight of standing in this special place set aside for proclamation, for those words that comfort the afflicted and afflict the comfortable. The responsibility is great. And I know how over these years I’ve only touched the outer edges of what would be useful.
It’s hard. And it’s easy to miss the word. I’ve mentioned this incident before. Most of what I have to say that might be anywhere near useful, I’ve said before. Happens, I guess, when preaching for a quarter of a century. Some years ago on one of those list serves to which I subscribe, a young ministerial colleague offered how he came to feel there was a word more along the lines of the afflict the comfortable that needed to be said. He prayed, and meditated, and then reported to the colleagues that finally he preached it.
Modestly, as modest as one can be when reporting success, he said that the response to his sermon was a standing ovation. There were various words of congratulation offered. Then, buried near the bottom of the thread of congratulations an older minister, both in age and experience, responded. She said, “Dear one, if your sermon had been prophetic, no one would have applauded.”
The word, the turning word, the word that might actually help is more often than not hard to find. And perhaps even harder to hear. I think about that, I sit with that.
Frederick Buenchner continues:
The preacher pulls a little chord that turns the lectern light and deals out his note cards like a riverboat gambler. The stakes have never been higher. Two minutes from now he may have lost his listeners completely to their own thoughts, but at this minute he has them in the palm of his hand. The silence in the shabby church is deafening because everybody is listening to it. Everybody is listening including even himself. Everybody knows the kind of things he has told them before and not told them, but who knows what this time, out of the silence he will tell them?
Out of the silence, out of the pregnant silence, out of the womb of the universe, I find myself thinking of that last sermon, the third sermon that I have found. The one that followed my sincere desire for us all to get along, the one that followed that saving proclamation that we, each and every one of us, and actually more, every precious thing that comes into the universe, we, you and I are unique and precious – and each precious thing, you and I, and everyone and thing else, we are woven out of many strands, actually endless different colored strands, the threads of all the other precious things in this world. A wondrous web.
But, it’s Frederick Buechner’s conclusion that haunts me most:
Everybody knows the kind of things he has told them before and not told them, but who knows what this time, out of the silence he will tell them?
What is the word waiting in the silence? What is the great summary of life and living? What is the call out of knowing we are alive and that we will die? What is the word found living deeply into our own, into my own life, and seeing the connections with everyone else? What is the third sermon?
Well, the third sermon is pretty simple.
Yesterday, during that wonderful and embarrassing farewell event, I heard two of you proclaim it.
Show up. Be present. Pay attention.
It turns out the secret of living this life we share, of finding purpose and meaning, of living full, and not fearing death turns on one thing: intimacy.
Be one with the flow of life and death.
Open your heart to it all, don’t turn away.
Be one with.
Intimacy is the way into the mystery.
Intimacy is the mystery.
Just this.
Intimate.
Intimate.
The third sermon.
Amen.

Tuesday, June 9, 2015

How can you be a fashion icon (not wearing clothes)?


Designer Carolina Herrera stands next to an inspiration board in her New York showroom. (Jesse Dittmar for The Washington Post)
NEW YORK — Designer Carolina Herrera, wearing a well-tailored, cream-colored dress and a bouquet of lavender brooches, strides into her office on Seventh Avenue with the elongated posture of a dancer. She has fresh-from-the-salon hair that belies the day’s spitting rain. She wears a discreet hint of lipstick. She looks pristine, unhurried and genteel. There are a lot of designers who choose bland attire — T-shirts and jeans, basic black jersey — as a kind of camouflage. They don’t want to distract from the glory of their collection. Herrera serves as a template, a role model, for the woman who buys her clothes — or at least whom that woman aspires to be.
Herrera maintains a sharp eye for the details that can spoil a look: the stray hair, a skirt that wrinkles across the hips, the bodice that strains against its buttons. Her style is not fussy or old-fashioned, but it is formal. It is considered. Herrera, after all, believes that every woman should own a dress, a pencil skirt and an evening gown.
Herrera’s style stands out in our aggressively informal times. To attend a runway show for her signature collection is to be swept into a room filled with social swells, wealthy shoppers and ladies with foreign accents and terribly convoluted names suggesting nobility somewhere in the upper branches of their family tree.
This is the world out of which Herrera herself emerged, more than 30 years ago, at the age of 40, to launch her own ready-to-wear collection. She was born into wealth in Venezuela and married into Spanish nobility. Over the years, she has built a Seventh Avenue-based company that includes her signature line, epitomized by the elegant evening dresses that appear regularly at red carpet occasions, as well as fragrances, bridal gowns and a secondary collection, CH Carolina Herrera. She will open a boutique for her CH Carolina Herrera label, with its range of men’s and women’s sportswear, cocktail attire and accessories, at CityCenterDC on June 9, joining a host of other designer brands from Canali and Paul Stuart to Hermès.
more:www.adoringdressau.com

Wednesday, June 3, 2015

Friday nice dressing for the week


Friday dressing for the week
With Infosys CEO Vishal Sikka doing away with formals at work, we get five designers to share tips on how to make smart casuals work in the office Last year, CEO and MD of Infosys Vishal Sikka, who himself dresses in smart casuals, did away with Monday's mandatory tie. And now he's taken it a step further suggesting that employees sport casual wear through the week. While that's welcome news for most techies, there are certain fashion do's and don'ts that one needs to follow while dressing for work. From what not to wear and to what will lift your style quotient without making you look out of place in a formal set-up, five designers share some essential and easy-to-follow ideas.
'Good fit casuals are a must'
"The idea is to look smart. A lot of techies tend to look rather sloppy by wearing sandals and slippers," says designer Manoviraj Khosla. "You can be comfortably and stylishly dressed." Among his don'ts, are: don't wear a size that is bigger than you and don't pair woolen trousers with buttoned-down shirts. To look a little smarter, wear a bandi waistcoat.
Replace formal wear with... well-fitted linen trousers, a shirt and a jacket if you like. Even a round necked t-shirt can look smart with a pair of flat front slim fit trousers. This should be in pastel shades. Ensure your tee or shirt doesn't have funky prints like flowers. Pair it with smart shoes like moccasins or slip-ons.
'Explore Indian semi-formal wear'
According to designer Prasad Bidapa, who welcomed Infosys's move to ban the necktie earlier, people need to go back to their ethnic roots and wear clothes with an Indian sensibility which are made of natural fibres like cotton, silk and wool. "Explore the realm of Indian semi-formal dressing. Also, techies need to look at more 'Friday dressing'options. There should be a code of smartness. Always remember smart people get better jobs and more promotions," he says.
Replace formal wear with... A nice black bandhgala with white shirt inside with leather accessories could work well. Khaki pants with a nice shirt and penny loafers in brown leather will look smart. Narrow black pants worn with matched leather boots, a classic wrist watch and belt can take you from Wall Street meetings to formal dinners in style.
A good pair of shoes is a must. Also, the material of the clothes should be 100 per cent cotton. Polyester smells so bad when you sweat and that causes secondary problems like skin diseases and funguses. Wear neutral colours - darks and pastels.
In terms of accessories, opt for a good watch, sunglasses and a wedding ring, if you're married. Don't wear more than that.
'Get your basics right'
Casuals on men can go horribly wrong. "A common faux pas is when guys wear T-shirts tucked into trousers with belt," says Lokesh Ahuja, "that looks awful." Other no-nos are: wearing short T-shirts that shows one's butt track or a deep V-neck tee. Also, don't enter the workplace in a T-shirt you slept in.
Replace formal wear with... a polo shirt with a jacket would look great. Get your basics right. Ensure that your wardrobe has two pairs of jeans. Stick to a known brand. Mix and match your outfits. Wear slightly more tailored, fitted jeans and smart shirts. Get the length of the shirt right in the sense that it should be a few inches longer than the belt. Smart shoes like sneakers or loafers will work the look. Don't wear shoes you'd sport at the gym. Don't wear something loud and colourful like a flourescent shirt. Blues and other light pastel colours are suitable for work. Avoid synthetic fabrics as they are unsuitable for our tropical climate.
In terms of accessories, a good watch (not too sporty)and smart belt is good. And don't have gold chains around your neck. It's tacky.
'Wear casuals with confidence'
Casual dressing creates an environment that is more relaxed. But that doesn't mean you get carried away and wear shorts and flip-flops to work, Rakesh Thakore (one half of Abraham & Thakore), cautions. "When you're told to wear casual clothes, don't confuse that for printed shirts. Have the confidence to sport casuals. See how people are reacting to it. You should fit into the same sensibility as your colleagues," he advices.
Replace formal wear with... black T-shirt with khaki chinos and casual lace-up or suede leather shoes. A good watch and belt would also work. Another great option is a T-shirt, jeans and chinos with a jacket. In the summer, wear light and practical colours like black, blue, white, navy and chocolate brown.
'Mix & match casuals with formal cuts'
Designer Sounak Sen Bharat observes how world over, wardrobes are "getting easier". "Relaxed comfortable fabric and garment finishes are the order of the day." While the fabrics remain natural (linens and cottons of different weights), the silhouettes are experimental.
Replace formal wear with... a soft linen fabric cut like a tailored suit, combined with a striped linen shirt with a white collar. The tailoring is formal, while the finish is casual, complete with quarter inch stitches and puckered seams (like you have in denims or washed cotton khakis). That's the new twist. It's to mix and match casuals with formal cuts. Roll up the hem of your trousers and team it with a pair of leather brogues or Oxfords.
If you aren't the experimental kind, use accessories wisely to lift your look. Use watches to complement the other colours of your ensemble. Pocket squares are a great accessory too. Invest in a classical pair of shades like Prada or Gucci and a pair of driving shoes in black, brown or navy in suede or buff leather.