Tuesday, July 7, 2015

New dress shop wants to help?


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Sisters Angela Shriver and Amanda Kosarek wanted to open a formal dress shop in downtown Davenport.
They did. But that is only half the story of why they established Blush Dress Shoppe, 320 Main St. Davenport.
Their mission is to provide girls with a fun place to shop for dresses. However, they also want to provide free, gently-used dresses to young women who cannot afford dresses for proms or homecoming dances.
They call it Dress for Every Girl.
"The whole idea is that every girl gets to go to these," Kosarek said. "We do not want a girl to grow up and think, 'I did not get to go to my prom or homecoming because we did not have the money.' Every girl needs to go to these dances. Dresses can get expensive and we do not want any girl to miss her prom because of cost."
The store will have a grand opening Friday. And the next day, from 11 a.m. to 5:30 p.m., they are asking people to donate gently-used dresses, especially those appropriate for homecoming dances. Kosarek said while prom dresses go all the way to the floor, homecoming dances are shorter and the shop currently has few used dresses to give way.
Schriver said to be eligible for a free dresses, girls must be referred by someone other than a relative, for example, a church leader or school counselor who is aware that the girl cannot afford a dress herself. That person must go to www.blushdressshoppe.com and click on "Dress for Every Girl." That is where they fill out an application. Once approved, the girl will be mailed an invitation to come to the shop and pick out a dress.
In addition to the special clothing drive, the sisters said they hope donations will take place all year long.
"That is disappointing when girls get older and looking back at their memories and know they were never able to go to a school dance," Schriver said. "We want them to have good memories."
Kosarek, who also owns Monkey Joe's entertainment center in Davenport, said she and her sister wanted the open a "full-service" dress shop.
They sell every type of formal dress for dances and wedding parties. However, they do not sell bridal gowns.
"We wanted it to be very glamorous inside," she said. "We have a big selfie mirror. We just really wanted to open a shop that was different and unique and make it a more fun experience for mom and families. It is a huge financial burden for families so we try to make it a personal experience.

"But at the end of the day, it is a business, we want return customers. If we make sure they are happy, and they find a perfect dress they are looking for, they will come back."

Friday, July 3, 2015

There Should Be A Dress Code For Doctors


There Should Be a Dress Code for Doctors
If you live near a hospital, you’ve probably seen the sight: a young physician in loose blue scrubs, standing in line at the grocery store. You can’t help but wonder if the young physician is lost. After all, it appears that he or she belongs in an emergency room — not the dairy section.
The oversized bottoms, dangling bright orange pyjama knot, deep V-neck and beeper ensemble not only look out of place, but lead to a slew of thoughts. Is he coming from or going to a shift? Could her clothes carry some sort of hospital microbe? What detritus has the outfit picked up on public transit or in line at the ATM that will track back to an operating room or patient? Has the American trend toward casual attire gone too far?
Regardless of profession, we all play out the sartorial ritual of considering colours, textures, and garments for work, school and play.
Clothing for doctors is more than just a matter of personal style: it is an emblem of their specialty, training and culture.
Making a good first impression
In some cases, a physician’s attire is functional. A surgeon’s scrubs protect regular clothes from stains and patients from infection.
Sometimes, it’s about creating a good first impression and projecting the more professional, conservative image often associated with medicine.
Go to a doctor’s office, for instance, and you’re more likely to find physicians donning a shirt and tie, or jacket and blouse when interacting with their patients. In almost all of these cases, the emblematic uniform of physicians — the white coat — is present.
This month, about 20,000 newly minted physicians will enter residency programs across America, to begin their professional journeys. Each will care for and influence the lives of countless patients.
And each has been trained to avoid “anchoring bias,” or to not to take the first thing they learn about a patient as the most important, lest they reach a biased conclusion or incorrect diagnosis. Yet few doctors or medical students consider the first impression they make on patients. And clothes have a lot to do with that.
In an informal survey in our hospital, only two out of 30 medical students said that they actually thought about their dress when caring for hospitalised patients. Yet, over half of the medical students we spoke to agreed that what they wear is likely to influence patient opinions about their doctors. This illustrates a larger discrepancy between what doctors ought to wear and what they do wear — one that may arise from competing concerns or lack of guidance.
Just like the treatment doctors provide, that guidance should be grounded in evidence. For instance, a special report from infection-prevention experts found little evidence that germs on male doctors’ neckties, long sleeves, or white coats actually spread infections in a nonsurgical setting. So bans on such garments, such as those in place in some countries, may go too far.
Patients really like white coats
We recently published a study reviewing all available evidence regarding patient preferences for physician attire. We examined more than 30 studies that evaluated how patients viewed physicians’ attire.
In 21 of those studies, we found that patients had strong preferences about what physicians wore. And it looks like patients more often prefer for their doctors to wear formal clothing and white lab coats than not. Indeed, in 18 of the studies we reviewed, patients had a preference or positive association with this style of attire.
But as we reviewed these studies, three keys themes that suggest important variations in what patients may prefer their doctors to wear emerged. First, studies involving older patients or those from Europe or Asia all reported higher satisfaction when physicians wore formal attire.
Second, in emergency, surgical or intensive care settings, scrubs were not only preferred by patients, but also more often equated with professionalism. This makes sense, as in these more “hands-on,” procedure-oriented settings, formal suits, shirts and ties clearly seem out of place.
Finally, in doctors’ offices and outpatient clinics, scrubs were viewed unfavorably and often resulted in negative impressions.
Thus, from the patient’s perspective, a “one size fits all” approach may not work for doctor attire. Rather, the context in which a patient interacts with their doctor influences what they expect to see.
Given the tension between infection risk and patient preferences, it is not surprising that disagreement about dress code also exists among physicians.
After our study came out, the medical news website MedPage Today reported results from an informal, but still telling, online survey of over 2,000 patients and physicians about the “best approach to dressing for patient encounters.”
About 30% of doctors polled stated that they preferred to wear scrubs, casual attire or had no particular preference when caring for patients. However, more than 60% stated that doctors should wear white coats.
The online comments differed widely, with some physicians defiant in stating that they had “never worn a white coat in 30 years,” while others proclaimed, “priests and judges have their robes, we have our white coats.”
And despite clear patient preferences about what doctors wear while working, even the top-ranked hospitals in the nation, only a handful offer formal guidance on attire. Many vaguely recommend that clothes be “professional,” but without defining what professional means?
A dress code for docs?
How, then, should doctors dress when caring for patients? Clearly, more evidence is needed to guide members of the medical community. So we have launched a large study that aims to better understand what patients prefer when it comes to physician attire.
We plan to survey thousands of patients from the US, Italy, Switzerland and Japan in settings that span outpatient clinics, doctors offices and hospitals. Because generational effects and familiarity matter, we will specifically assess how factors such as age or how often a person interacts with the health system shape patient opinions.
While we collect data for this study, what best practices can we recommend in the interim, especially those 20,000 brand new residents?
When in doubt, formal attire with long-sleeved shirts and ties for men, and business attire for women, should prevail in nonemergency or nonoperative settings.
This practice should hold true not just for weekdays, but also when physicians are working weekends and after typical business hours. Patients and their expectations remain unchanged, regardless of hour or day.
While scrubs are appropriate for operating or emergency rooms, we suggest changing into more formal attire to visit patients in the hospital or the clinic. Regardless of the occasion, flip-flops, showy jewellery or jeans simply don’t belong in the hospital, just as scrubs do not belong outside the hospital environment. Especially not in the grocery store.

Thursday, July 2, 2015

the New NYC Fashion Queen

6 Ways Jennifer Lawrence Is the New NYC Fashion Queen
Here are six (of many) reasons she is the ruling the world of fashion in the big apple.
1. She's classy, even when she's casual.
The blonde bombshell is often spotted walking around Manhattan -- where she is reportedly looking for an apartment in the Tribeca area -- and J Law always looks flawless, even in just a simple, breezy white top.
2. She can rock a little black dress like nobody's business.
The Hunger Games star isn't afraid to get formal either. She's just as comfortable looking sexy and sophisticated while hitting the town in a classic little black dress.
3. She looks like a wicked angel in white.
When she wants to change things up a bit, Lawrence can also pull off a stunningly angelic look in a stylish, sleeveless white dress that manages to be sexy without showing a lot of skin, like the one she wore to Nobu earlier this month.
4. She's flawless, even when she's having fun.
Just because she's rocking a stylish white gown, that doesn't mean she doesn’t have a weird and wild side like when she left Nobu and teased the paparazzi by shoving some chopsticks in her mouth and imitating a walrus.
5. She likes to mix things up.
Sometimes, she doesn't feel content with just black OR white. No! Sometimes, she decides to throw a curveball and she wears a wild combination of both! While it might not work for everyone, Lawrence always manages to pull it off.
6. She always looks like a million bucks
When she's feeling really adventurous, the badass of basics will even rock grey! And while denim short shorts and a thin, grey sweater might look a little too bland on most people, Jennifer Lawrence proves she isn't "most people." She's a fashion superstar.
more:http://www.adoringdressau.com/formal-dresses.html

Friday, June 26, 2015

Formal Dresses 2015 Collection for this spring

Formaldressaustralia Promotes the Very in Formal Dresses 2015 Collection for this spring
Recently Formaldressaustralia officially unveiled its newest collection in the fashion show.
The party season comes again with the warm weather. Recently Formaldressaustralia officially unveiled its newest collection – school formal dresses 2015 in the fashion show. Most of the newly presented long formal dresses in the show are in the floor length. Dresses flow on the runways because of the soft and light fabrics. The greatest characteristic of the new collection is the embellishment, especially lace floral appliques and floral embroidery. Ribbons around the waist is also a remarkable part.
The enchanting formal dresses in all colors including pastel colors and brilliant colors fully show the blossoming flowers in this spring. Alluring aqua and elegant violet are the major choices for this spring. Enthusiastic red is more suitable for passionate ladies.
“Spring is the season of blossom. Inspired by the rose garden, we decide to feature the beauty of the nature and the beauty of the lady by our gowns. Let our gowns tell you that spring comes.” the lead designer said at the end of the show, “Ladies are the great art created by God. It seems to be more attractive when their feminine curves peer from the tulle. Ravishing floral appliques, dreamy silhouettes and exquisite craft makes this formal dress 2015 collection.”
The CEO of Formaldressaustralia said, “The ultimate aim of us is always to bring the best and the latest formal dresses to our customers. Our new collection will be sold at great discounts to let more and more fashionable ladies who love us, but with limited budgets to get their dream dress have a happy shopping journey with us.”
About Formaldressaustralia
Formaldressaustralia attracts many ladies all over the world to buy dresses for special occasions because of the appealing style, stable quality and cheap price. Formaldressaustralia offers the trendy formal dresses with the blossoming floral appliques in large quantities. Formaldressaustralia is a professional and trustworthy online dress shop.

Wednesday, June 17, 2015

Formal dress code no longer gendered


Clare Coterill St. Catherine's has de-gendered their dress code for formal dinners In a first for the university, St. Catharine’s has scrapped the gendered dress code of its formal dinners, freeing trans students from the institution’s out-dated and oppressive rules governing dining dress.
“This makes Catz formals a place to express yourself in a new spectrum of ways”, said Charlie Northrop, who spearheaded the campaign, in an email to the student body. “Men can wear dresses, women can wear suits, and non-binary people are free to define the outfits that feel most appropriate to them in a formal setting.”
Charlie began transitioning this year, and as the Formal Hall officer for the MCR, she was thrilled that the Dean suggested the wording of the dress code should be changed when she emailed to ask about it.
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She says she was overwhelmed by the positive response from students on telling them the news, and feels ‘encouraged and proud’ that the students and fellows of St. Catharine’s were so enthusiastic about creating more inclusive environment for trans students.
Great care was taken to ensure the correct wording of the new dress code, says Ellie Chan, the college’s MCR President. In a typically academic fashion, there were lengthy discussions over the definition of a suit, and the fellows instigated a spirited debate over the differences between men and women’s formal shirts.
The dress code campaign was a committee-wide effort, and the combined work of the St. Catherine’s MCR and JCR is inspiring other colleges to adopt a similarly progressive ethos. Clare college has already emailed Charlie to request materials, so that they might match St. Catharine’s progressive ethos.
The revised dress code for formal halls now includes the statement: “Members and their guests must be dressed in suitably smart dress. ‘Smart dress’ is defined without reference to considerations of gender identity or expression.”

more:adoringdressau.com

Sunday, June 14, 2015

THE THIRD SERMON A Meditation on a Preaching Ministry


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THE THIRD SERMON
A Meditation on a Preaching Ministry
14 June 2015
James Ishmael Ford
First Unitarian Church
Providence, Rhode Island
First, thank you all very much for the so many kindnesses you’ve shown Jan and me in these past months as we’ve wound our way toward this, our last Sunday together with me as your called minister. Watching my name carved into the marble plaque, posing for a formal portrait (although I am a bit confused how the photographer was able to age me and added all that weight to the image in the picture) and then, oh my, being elected minister emeritus of this venerable institution that I love so much, has been one moment engraved on my heart after another.
And all the nice things people have said. Hard to hear. Why, I even have had a psychic friend inform me that she had a vision of my final reward. She said how in a deep trance she saw the moment after my death when I approached the heavenly gates. Turns out it isn’t St Peter there, or, at least not at the gate where I appeared. Which, all things considered, was probably a good thing. Instead, the gatekeeper was Guanyin, herself, the Buddhist manifestation of compassion.
Meaning, of course, that the gate didn’t actually have a lock on it. She simply stood there and opened it wide, while inviting me in. As I walked through and into heaven a small group of angels came forward. One presented me with an off-white robe to wear. It had a lovely pattern at the sleeves and hem, embroideries of the symbols of all the religions of the world. Very Unitarian Universalist, I thought when hearing this, nice touch. Then another angel placed a halo above my head. While a third presented me with a staff, made of highly polished hardwood. My psychic friend said I looked pretty pleased with how things turned out.
And then Guanyin escorted another man through the gate. He had a large tummy, a receding hairline and a giant mole on his nose. The band of angels came forward and presented him with a golden robe with slivers of silver running through the material, the sleeves and hem embroidered in scarlet with the sun and the moon, comets and stars. His halo was so bright it was actually a little difficult to see his face in front of it. And then the staff, oh, my, it was made of some unearthly material that changed colors as you watched it, each more beautiful than the other.
My psychic friend said I hesitated and then asked Guanyin why the differences in heavenly garb? She replied that that was Mort, who had been a New York cabbie his whole life. She added, as a preacher, over the years, I’d lulled many a parishioner into a gentle nap. And my lovely garb was a reward for offering so many an hour of rest. Mort, on the other hand, well, pretty much every single person who entered his cab uttered more than one prayer to heaven before exiting, and thus his rather more spectacular reward.
The life of ministry is in fact about many things. Most of them I’d rather hold in my heart today. I feel a bit raw. But, for our few minutes together, I’d like to share a thought or two about the preaching life. And maybe extending it a little beyond claiming credit for the occasional nap I’ve provided for many here, some thoughts about to what purpose we engage this project of preaching and listening.
One of my real heroes is the novelist, theologian and Presbyterian minister Frederick Buechner. He once wrote a vignette about preaching. Perhaps you know it. I’ve cited it at least once. It begins:
So the hymn comes to a close with an unsteady amen, and the organist gestures the choir to sit down. Fresh from breakfast with his wife and children and a quick run through of the Sunday papers, the preacher climbs the steps to the pulpit with his sermon in hand. He hikes his black robe at the knee so he will not trip over it on the way up. His mouth is a little dry. He has cut himself shaving. He feels as if he has swallowed an anchor. If it weren’t for the honor of the thing, he would just as soon be somewhere else.
Among those memories I’ve collected in my heart from my years in seminary was that inaugural class of Homiletics 101, “introduction to preaching.” Most of you have heard some version of this from me before. Sorry. But it is relevant. The professor was the Reverend Dr James Chuck, a working preacher, as well as adjunct professor of homiletics at both the American Baptist Seminary of the West and the Pacific School of Religion where I was training. He was at the time also senior minister of the First Chinese Baptist Church of San Francisco, which he would go on to serve for forty years.
That moment, some twenty-six or seven years ago, he stood as our small band walked into that first class. He wore a three-piece suit with a watch chain that extended across his stomach, and which included a dangling Phi Beta Kappa key that he idly fingered. In my memory he glowered at us. I’m pretty sure he glowered at us. I looked down at my Birkenstocks and Hawaiian print shirt and felt somehow I missed the memo telling us to wear suits or dresses.
When we finally took our seats Dr Chuck launched into a brief explanation of what is what. First he offered an observation about the steady decline in both the intellectual and spiritual capacities of seminarians since his day. He then moved on to the heart of the deal, explaining how the great preacher comes to have three sermons. And, with an even deeper glower, offered how it would behoove us all to quickly figure out what our meager single sermon was. And with that we launched into a semester long exploration of the sermon within Western culture in most of its variations. He worked us hard.
It’s now been a year shy of a quarter of a century since I first preached a sermon as a Unitarian Universalist minister. Thanks to Dr Chuck and some others generous in offering me a pulpit and congregation to practice on, I’d in fact been going at it for a while before that. So, it’s been a while. And, I can say I have three sermons. Or, rather, I’ve shifted that one sermon to another, on two occasions. Probably not quite the same as Dr Chuck meant, but…
My first sermon was “Can’t we just get along?” What can I say, I was nervous at the time. Later my sermon was “Each of us is precious, and we are all woven out of one another.” In Buddhist terms, which helped inform my understanding of this mystery at ever-deeper levels, the summary goes, “Form is emptiness, emptiness is form.” I love that sermon. It speaks a deep truth, and is worth repeating and exploring in its many expressions. While you may not ever have heard me preach “Can’t we get along” very often, I believe once or twice, I believe I’ve touched on how we’re each of us precious, and all of us created out of each other, oh, I don’t know, maybe last week.
In that vignette I cited a moment ago, Frederick Buechner continues:
In the front pews the old ladies turn up their hearing aids, and a young lady slips her six-year old a Lifesaver and a Magic Marker. A college sophomore home from vacation, who is there because he was dragged there, slumps forward with his chin in his hand. The vice- president of a bank who twice this week has seriously contemplated suicide places his hymnal in the rack. A pregnant girl feels the life stir inside her. A high-school math teacher, who for twenty years has managed to keep his homosexuality a secret for the most part, even from himself, creases his order of service with his thumbnail and tucks it under his knee.
Here we are, as we are. Each of us following our own paths and circumstances in this life, but all of us in need of a word. I confess trying to find that right word has been daunting. I’ve felt the responsibility, the weight of standing in this special place set aside for proclamation, for those words that comfort the afflicted and afflict the comfortable. The responsibility is great. And I know how over these years I’ve only touched the outer edges of what would be useful.
It’s hard. And it’s easy to miss the word. I’ve mentioned this incident before. Most of what I have to say that might be anywhere near useful, I’ve said before. Happens, I guess, when preaching for a quarter of a century. Some years ago on one of those list serves to which I subscribe, a young ministerial colleague offered how he came to feel there was a word more along the lines of the afflict the comfortable that needed to be said. He prayed, and meditated, and then reported to the colleagues that finally he preached it.
Modestly, as modest as one can be when reporting success, he said that the response to his sermon was a standing ovation. There were various words of congratulation offered. Then, buried near the bottom of the thread of congratulations an older minister, both in age and experience, responded. She said, “Dear one, if your sermon had been prophetic, no one would have applauded.”
The word, the turning word, the word that might actually help is more often than not hard to find. And perhaps even harder to hear. I think about that, I sit with that.
Frederick Buenchner continues:
The preacher pulls a little chord that turns the lectern light and deals out his note cards like a riverboat gambler. The stakes have never been higher. Two minutes from now he may have lost his listeners completely to their own thoughts, but at this minute he has them in the palm of his hand. The silence in the shabby church is deafening because everybody is listening to it. Everybody is listening including even himself. Everybody knows the kind of things he has told them before and not told them, but who knows what this time, out of the silence he will tell them?
Out of the silence, out of the pregnant silence, out of the womb of the universe, I find myself thinking of that last sermon, the third sermon that I have found. The one that followed my sincere desire for us all to get along, the one that followed that saving proclamation that we, each and every one of us, and actually more, every precious thing that comes into the universe, we, you and I are unique and precious – and each precious thing, you and I, and everyone and thing else, we are woven out of many strands, actually endless different colored strands, the threads of all the other precious things in this world. A wondrous web.
But, it’s Frederick Buechner’s conclusion that haunts me most:
Everybody knows the kind of things he has told them before and not told them, but who knows what this time, out of the silence he will tell them?
What is the word waiting in the silence? What is the great summary of life and living? What is the call out of knowing we are alive and that we will die? What is the word found living deeply into our own, into my own life, and seeing the connections with everyone else? What is the third sermon?
Well, the third sermon is pretty simple.
Yesterday, during that wonderful and embarrassing farewell event, I heard two of you proclaim it.
Show up. Be present. Pay attention.
It turns out the secret of living this life we share, of finding purpose and meaning, of living full, and not fearing death turns on one thing: intimacy.
Be one with the flow of life and death.
Open your heart to it all, don’t turn away.
Be one with.
Intimacy is the way into the mystery.
Intimacy is the mystery.
Just this.
Intimate.
Intimate.
The third sermon.
Amen.

Tuesday, June 9, 2015

How can you be a fashion icon (not wearing clothes)?


Designer Carolina Herrera stands next to an inspiration board in her New York showroom. (Jesse Dittmar for The Washington Post)
NEW YORK — Designer Carolina Herrera, wearing a well-tailored, cream-colored dress and a bouquet of lavender brooches, strides into her office on Seventh Avenue with the elongated posture of a dancer. She has fresh-from-the-salon hair that belies the day’s spitting rain. She wears a discreet hint of lipstick. She looks pristine, unhurried and genteel. There are a lot of designers who choose bland attire — T-shirts and jeans, basic black jersey — as a kind of camouflage. They don’t want to distract from the glory of their collection. Herrera serves as a template, a role model, for the woman who buys her clothes — or at least whom that woman aspires to be.
Herrera maintains a sharp eye for the details that can spoil a look: the stray hair, a skirt that wrinkles across the hips, the bodice that strains against its buttons. Her style is not fussy or old-fashioned, but it is formal. It is considered. Herrera, after all, believes that every woman should own a dress, a pencil skirt and an evening gown.
Herrera’s style stands out in our aggressively informal times. To attend a runway show for her signature collection is to be swept into a room filled with social swells, wealthy shoppers and ladies with foreign accents and terribly convoluted names suggesting nobility somewhere in the upper branches of their family tree.
This is the world out of which Herrera herself emerged, more than 30 years ago, at the age of 40, to launch her own ready-to-wear collection. She was born into wealth in Venezuela and married into Spanish nobility. Over the years, she has built a Seventh Avenue-based company that includes her signature line, epitomized by the elegant evening dresses that appear regularly at red carpet occasions, as well as fragrances, bridal gowns and a secondary collection, CH Carolina Herrera. She will open a boutique for her CH Carolina Herrera label, with its range of men’s and women’s sportswear, cocktail attire and accessories, at CityCenterDC on June 9, joining a host of other designer brands from Canali and Paul Stuart to Hermès.
more:www.adoringdressau.com